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nataliedee.com
Concerns herein: poetry and monkeys
This is what is done with pain:Or:
ice on the wound,
the isolating tourniquet—
as though to check an open vein
where the self pumps out of the self
would stop the second movement of the heart...
He asks of her only a little lie,
a pale copy drawn from the inked stone
where they loll beside the unicorn,
great lovers then, two strangers
joined by appetite:
                it frightens her,
to live by memory’s poor diminished light.
She wants something crisp and permanent...
Outside
for Stephen Leggett
OK. I'll entertain the possibility
that we have these long lives
purely to raise these coffee cups
at this moment in this one place
or that our purpose--if we need one--
may be to lift one half-drowned
yellow jacket from the birdbath,
set it on the lawn chair and watch
it buzz off to its next in the back lot.
I'll admit the hope that we intersect
with everything--bee, okay, coffee cup--
in a glorious unnamed pattern.
But I can't turn one thing into any
other: the solitary bittern's call
rising from the marsh at dusk remains
the echoing call of one secretive bird
hidden behind a forest of dry rushes.
It is what it is and would be that
without my eyes or ears or my ability
to name it and find its place on any map.
(Keith Taylor, from If the World Becomes So Bright, 2009 Wayne State University Press)
The Missing Wife
Wife and dog missing.
Reward for the dog.
—bumper sticker on a pickup truck
The wife and the dog planned their escape
months in advance, laid up biscuits and bones,
waited for the careless moment when he’d forget
to latch the gate, then hightailed it.
They took shelter in the forest, camouflaged
the scent of their trail with leaves.
Free of him at last,
they peed with relief on a tree.
Time passed. They came and went as they pleased,
chased sticks when they felt like chasing sticks,
dug holes in what they came to regard
as their own backyard. They unlearned
how to roll over and play dead.
In spring the dog wandered off in pursuit
of a rabbit. Collared by a hunter and returned
to the master for $25, he lives
on a tight leash now.
He sleeps on the wife’s side of the bed,
whimpering, pressing his snout
into her pillow, breathing
the scent of her hair.
And the wife? She’s moved deep into the heart
of the forest. She walks
on all fours, fetches for no man, performs
no tricks. She is content. Only sometimes
she gets lonely, remembers how he would nuzzle
her cheek and comfort her when she twitched
and thrashed in her sleep.
(Diane Lockward, from Eve's Red Dress, Wind Publications, 2003)
"I can trace pretty much every decision I made as an adolescent back to what was ignited in me by that movie," she writes. "Mostly, a whole lot of really bad poetry, but also a sense, for the first time, that life was going to go by very fast, and that I could be more than what was expected of me. (I said I got the sense, not that I actually did it.)"I know I saw Dead Poets Society, but I don't remember much about it except there is a boy who wants to be an actor but he has a really mean dad and the boy is in a play with a lot of leaves and maybe even he is a leaf and the dad sees the play and is disgusted and Robin Williams cannot keep everyone from killing themselves. Somehow poetry is also involved. That's my synopsis for you.
"Except for paying attention, what else is continual prayer?"
- Washington State Poet laureate Sam Green
Family Rack
Save your poem
over the time,
and create your life,
this will make you
happy and make you
sensefull,
space will be
so exciting.
Quest of the Prell
We were functioning as one; it was a flying dream.
I was holding his hand, he mine. I hadn’t yet glimpsed
his face (when you’re flying you don’t care).
Sand-hued gazelles sipped at a green lagoon,
and there was no question but that we both needed
to get closer;
descending, found instead a playground
beside a green pond, no, massive bottle of Prell Shampoo,
like the one in the commercial where a man's hand drops
a pearl, which slowly sinks through the green murk,
to show how thick the murk must be to slow the pearl.
And he sighed with a look I knew from somewhere,
as if he’d said What’s wrong? and I’d answered Nothing
unconvincingly—a tired, determined look,
suggesting this was yet another test
of love. His quest: to swim the Prell.
What’s worse, I think I seemed to want him to;
and woke in horror, though not sure whose.
Is this what the male psyche thinks it’s up against
in a relationship (the very word ungainly)
with a woman, wummin, womyn,
dividing his energies among the recycled
merry-go-round arguments, and manning
the unbalanced swingset of romance,
trying to swing as she swings,
at the same velocity and height,
so as to keep everything even
between them? Then off to navigate
her jungle gym without getting to the top
first, trying not to put his foot down
on hers, her career, her herness,
or lose his tender grip on her notion
of what their life could be?
Oh, must he seesaw with her endlessly
on that creaking, warped emery board
laid across the moat of her past,
swirling with such desires as she herself
can hardly see, with prehistorically
huge appetites and indiscriminate teeth?
Not to say it isn’t terrifying on the woman’s end
of things, like going down the slide backwards
sans underwear, and which will it be this time
at bottom: the burning sands of his indifference;
the asphalt of disdain; or will he laughing catch her up?
This all sounds so fifties, I know, the Prell,
the desire to be caught, but it was his look
that left me shaking. I’ve seen it on every lover
and husband of every last one of my women friends,
and now on you—though it wasn’t your face
really; let’s not forget this was a dream—
inheriting that look from every man regarding
every woman, that awful look of resignation
to face the rich green goo of her being;
the hero hardily willing to hold his breath
grimaceless, refrain from muttering Oh, swell,
and blindly dive to retrieve that cultured pearl,
dropped long ago by an unknown man’s
unthinking hand (just to prove a point)
into the opaque murk of her self, her very elle;
into the thick, slick, deep, man-handled,
bottled-up, unreal green of her Prell.
As she heroically must stand there
helpless, watching him.
( J. Allyn Rosser, from Misery Prefigured, 2001 Southern Illinois University Press).
The Photos
My sister in her well-tailored silk blouse hands me
the photo of my father
in naval uniform and white hat.
I say, “Oh, this is the one which Mama used to have on her dresser.”
My sister controls her face and furtively looks at my mother,
a sad rag bag of a woman, lumpy and sagging everywhere,
like a mattress at the Salvation Army, though with no holes or tears,
and says, “No.”
I look again,
and see that my father is wearing a wedding ring,
which he never did
when he lived with my mother. And that there is a legend on it,
“To my dearest wife,
Love
Chief”
And I realize the photo must have belonged to his second wife,
whom he left our mother to marry.
My mother says, with her face as still as the whole unpopulated part of the
state of North Dakota,
“May I see it too?”
She looks at it.
I look at my tailored sister
and my own blue-jeaned self. Have we wanted to hurt our mother,
sharing these pictures on this, one of the few days I ever visit or
spend with family? For her face is curiously haunted,
not now with her usual viperish bitterness,
but with something so deep it could not be spoken.
I turn away and say I must go on, as I have a dinner engagement with friends.
But I drive all the way to Pasadena from Whittier,
thinking of my mother’s face; how I could never love her; how my father
could not love her either. Yet knowing I have inherited
the rag-bag body,
stony face with bulldog jaws.
I drive, thinking of that face.
Jeffers’ California Medea who inspired me to poetry.
I killed my children,
but there as I am changing lanes on the freeway, necessarily glancing in the
rearview mirror, I see the face,
not even a ghost, but always with me, like a photo in a beloved’s wallet.
How I hate my destiny.
(Diane Wakoski, from Emerald Ice: Selected Poems 1962-1987, 1988 Black Sparrow Press.)
"Shakespeare's sonnets have stayed with us for 400 years. But an old poem can make you wonder: Are there any words of love from our time that would last as long?
We want to hear your ideas for words of love that might endure for as long as a Shakespearean sonnet. So pick something — a poem, a passage from a novel, a scene from a movie, a snippet of a song or even a slogan off a T-shirt — and share it with us. Be specific and let us know why you chose what you did.
Remember, it has to have been produced in your lifetime. It has to be about love. And it has to be something that people might still perform or pontificate about 400 years from now — in the year 2409."
Poem to Some of My Recent Poems
My beloved little billiard balls,
my polite mongrels, edible patriotic plums,
you owe your beauty to your mother, who
resembled a cyclindrical corned beef
with all the trimmings, may God rest
her forsaken soul, for it is all of us
she forsook; and I shall never forget
her sputtering embers, and then the little mound.
Yes, my little rum runners, she had defective
tear ducts and could weep only iced tea.
She had petticoats beneath her eyelids.
And in her last years she found ball bearings
in her beehive puddings, she swore allegiance
to Abyssinia. What should I have done?
I played the piano and scrambled eggs.
I had to navigate carefully around her brain’s
avalanche lest even a decent finale be forfeited.
And her beauty still evermore. You see,
as she was dying, I led each of you to her side,
one by one she scorched you with her radiance.
And she is ever with us in our acetylene leisure.
But you are beautiful, and I, a slave to a heap of cinders.
(James Tate, from Selected Poems, 1991 Wesleyan University Press.
"When Jane comes out in March 2005, [Detective-Sergeant Eric] Schroeder will go through each poem with a highlighter. We will correspond about some details--where I got the information about the timing of a phone call Jane supposedly made on the night of her murder, if I know where he might find the guest book from Jane's funeral that I mention, and so on.Unbeknownst to Nelson, Jane was coming out at the same time that Jane's murder case was being reopened and a suspect, thanks to DNA evidence, was in sights.
I can honestly say that it's the first book of poetry I've ever read, he will write.
I will write back, equally honestly, that it's the first I've ever written to be highlighted by a homicide detective."
"Every once in awhile, the number of conversations taking place all around my cube completely breaks my concentration to the point I have to stop working. Typically I am good at ignoring it, but with a three person meeting on one side of me, two people in the cube next to me and the man on the phone in the cube in front of me, the cacophony threshold was too much to tune out. Instead of standing up and screaming, “Shut the fuck up!” I decided to take a break for a couple minutes and rapidly write down the little snatches of conversation that I could make out from the din. It kinda turned out like a poem. I call it, “I Don’t Care If You Want the Machine,” because that’s the last thing I heard before I stopped writing. I highly suggest this exercise to people who occasionally find their concentration equally destroyed... It helped calm me down and was fun. :)"Here's the resulting poem:
I Don’t Care if You Want the Machine
Look beyond the landing page
It’s different if we just send it out
This thing right here
Maybe they’ll miss it
Loyalty
Reinforced images
I have to show what you can use
Five things
It’s a really good idea
Now they’re on our list
It seems like they want to know how they can help
Religious organizations
There’s more church base than synagogue
That’s too far
We have to develop a contract
It’s a conflict
A very slow cooking cauldron
It’s come a long way
I know this is really frustrating
We know what they want, giving it to them is hard
It’s gonna be grey
She’s got full justification
But I wouldn’t box them in
The raw data will break it down
It’s what I keep on touting about
No “P.S.” on this
Every time you say that
You go carbon dating things
I’m dying
Visit msnbc.com for Breaking News, World News, and News about the Economy
"This book sucks. I dont care if Homer was blind or not this book is like 900 pages too long. I could tell this story in about 10 pages."(Full disclosure: I've never read The Odessey and probably never will. Still, I find this hilarious.)
"I thought this story was very gross. I mean come on. We are having to read this book in freshman English. Actually our teacher reads it to us, but it is still disgusting."
"The general plot is rather repetitive. Odysseus overcomes a challenge on an island, and while leaving via boat, a storm takes him to yet another island, where the process is repeated."
On Losing a Home
1.
The bumble bees
know where their home is.
They have memorized
every stalk and leaf
of the field.
They fall from the air at
exactly
the right place,
they crawl
under the soft grasses,
they enter
the darkness
humming.
2.
Where we will go
with our tables and chairs,
our bed,
our nine thousand books,
our TV, PC, VCR,
our cat
who is sixteen years old?
Where will we put down
our dishes and our blue carpets,
where will we put up
our rose-colored,
rice-paper
shades?
3.
We never saw
such a beautiful house,
though it dipped toward the sea,
though it shook and creaked,
though it said to the rain: come in!
and had a ghost --
at night she rattled the teacups
with her narrow hands,
then left the cupboard open --
ad once she slipped -- or maybe it wasn't a slip --
and called to our cat, who ran to the empty room.
We only smiled.
Unwise! Unwise!
4.
O, what is money?
O, never in our lives have we thought
about money.
O, we have only a little money.
O, now in our sleep
we dream of finding money.
But someone else
already has money.
Money, money, money.
Someone else
can sign the papers,
can turn the key.
O dark, O heavy, O mossy money.
5.
Amazing
how the rich
don't even
hesitate -- up go the
sloping rooflines, out goes the
garden, down goes the crooked,
green tree, out goes the
old sink, and the little windows, and
there you have it -- a house
like any other -- and there goes
the ghost, and then another, they glide over
the water, away, waving and waving
their fog-colored hands.
6.
Don't tell us
how to love, don't tell us
how to grieve, or what
to grieve for, or how loss
shouldn't sit down like a gray
bundle of dust in the deepest
pockets of our energy, don't laugh at our belief
that money isn't
everything, don't tell us
how to behave in
anger, in longing, in loss, in home-
sickness, don't tell us,
dear friends.
7.
Goodbye, house.
Goodbye, sweet and beautiful house,
we shouted, and it shouted back,
goodbye to you, and lifted itself
down from the town, and set off
like a packet of clouds across
the harbor's blue ring,
the tossing bell, the sandy point -- and turned
lightly, wordlessly,
into the keep of the wind
where it floats still --
where it plunges and rises still
on the black and dreamy sea.
(Mary Oliver, from What Do We Know, 2002 Da Capo Press)