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Well, what do you know? Chimpanzees can recognize faces, just like humans.
Concerns herein: poetry and monkeys
"[T]here is little doubt, given the intense global interest in President-elect Barack Obama, that Ms. Alexander’s verse will be broadcast to more people at one time than any poem ever composed. This may not be American poetry’s Academy Award moment. But it is, for Ms. Alexander, an outsize platform" (New York Times, Dec. 24, 2008).
"Burma is famous for the smooth comfort of its affordable native shaving creams, and Burmese poets have long celebrated them in verse. Here is a typical example by an anonymous author:
A shave
that's real
no cuts to heal
a soothing
velvet after-feel
Burma Shave
(p. 102)
"How do I know so much about Merpeople, you ask? Field research. The same way that great ethnographer, Samuel Taylor Coleridge, found the ancient Asian city of Xanadu, I was able to 'chase the dragon' all the way to the bottom of the ocean. Of course, opium is not yet widely accepted as a historiographic method, but it provides an unbeatable firsthand experience."
(p. 109)
"In his defense, Mr. Blagojevich said only that he had the truth on his side. Legal experts said his lack of specificity was not surprising, given the criminal case ahead of him. But his appearance was perhaps more revealing with regard to his emotional state. He described himself as lonely, thanked supporters for their comfort and prayers, and quoted from memory the poem “If” by Rudyard Kipling, about the nobility of persevering through tough times."There's no telling how being tied in any way to Blagojevich will impact Kipling's literary reputation.
Touring the Doll Hospital
Why so many senseless injuries? This one’s glass teeth
knocked out. Eyes missing, or stuck open or closed.
Limbs torn away. Sawdust dribbles onto the floor
like an hourglass running out. Fingerless hands, noses
chipped or bitten off. Many are bald or burnt. Some,
we learn, are victims of torture or amateur surgery.
Do dolls invite abuse, with their dent-able heads,
those tight little painted-on or stitched-in grins?
Hurt me, big botched being, they whine in a dialect
only puritans and the frequently punished can hear.
It’s what I was born for. I know my tiny white pantaloons
and sheer underskirts incite violation. Criers and crib-
wetters pursue us in dreams, till we wake sweat-
drenched but unrepentant, glad to have the order
by which we lord over them restored. Small soldiers
with no Geneva Conventions to protect them,
they endure gnawing, being drooled on, banishment
to attics. Stained by cough syrup, hot cocoa, and pee,
these “clean gallant souls” wear their wounds as martyrs’
garments. We owe them everything. How they suffer
for our sins, “splintered, bursted, crumbled . . .”
Every bed in the head replacement ward is occupied tonight.
Let’s sit by the legless Queen doll’s tiny wheelchair
and read to her awhile if she wishes it. In a faint
voice she requests a thimbleful of strong dark tea.
(Amy Gerstler, from Ghost Girl, Penguin 2004)
dying is fine)but Death
dying is fine)but Death
?o
baby
i
wouldn't like
Death if Death
were
good:for
when(instead of stopping to think)you
begin to feel of it,dying
's miraculous
why?be
cause dying is
perfectly natural;perfectly
putting
it mildly lively(but
Death
is strictly
scientific
& artificial &
evil & legal)
we thank thee
god
almighty for dying
(forgive us,o life!the sin of Death
Autumn Passage
On suffering, which is real.
On the mouth that never closes,
the air that dries the mouth.
On the miraculous dying body,
its greens and purples.
On the beauty of hair itself.
On the dazzling toddler:
“Like eggplant,” he says,
when you say “Vegetable,”
“Chrysanthemum” to “Flower.”
On his grandmother’s suffering, larger
than vanished skyscrapers,
September zucchini,
other things too big. For her glory
that goes along with it,
glory of grown children’s vigil.
communal fealty, glory
of the body that operates
even as it falls apart, the body
that can no longer even make fever
but nonetheless burns
florid and bright and magnificent
as it dims, as it shrinks,
as it turns to something else.
(Elizabeth Alexander, from American Sublime, Graywolf Press 2005.
"Poor Baba. He used to be a good poet. Now he was a dad and a husband, and he couldn't write anymore. He had an idea in his head, but that, unfortunately, was all he had. Through the years he'd build on it, adding layers and characters, descriptions of places he'd seen, hundreds of twisting anecdotes and witty lines, and store it all in his head. But because he wanted it to come out of his head perfectly, fully formed, like Athena out of Zeus (like, on some days, he believed I had come out of him), he could never let it go."This passage is a great one to include in notes of encouragement to all of the poets in your life.
"Poetry as art? Kind of. The museum hosts the 'Woodward Line' poetry series, which showcases local wordsmiths. The next reading, features Hayan Charara, Christina Archer and Nandi Comer, is at 6 p.m. Dec. 17."I'm not really sure that I get the weird distinction they're making between art and poetry. What, it isn't art unless you can hang it on the wall?
Date and Time: Thursday, December 11, 2008 7pm. Doors open 6:15.This year’s event will feature poets Marty McConnell, Tim Seibles, and Paco, as well as writers from the VOLUME Youth Poetry Project and Ann Arbor Wordworks.
Location: Rackham Auditorium at 915 E. Washington St.
Tickets: $5 for students of any kind in advance; $7 at door. $10 for general public in advance; $12 at door. Advance tickets can be purchased at Neutral Zone or contact Jeff Kass eyelev21aol.com or 734-223-7443 to reserve tickets at advance price.